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  • Research Article
  • Open Access

Feedback Amplitude Modulation Synthesis

  • 1Email author,
  • 2,
  • 1 and
  • 2
EURASIP Journal on Advances in Signal Processing20102011:434378

https://doi.org/10.1155/2011/434378

  • Received: 15 September 2010
  • Accepted: 20 December 2010
  • Published:

Abstract

A recently rediscovered sound synthesis method, which is based on feedback amplitude modulation (FBAM), is investigated. The FBAM system is interpreted as a periodically linear time-varying digital filter, and its stability, aliasing, and scaling properties are considered. Several novel variations of the basic system are derived and analyzed. Separation of the input and the modulation signals in FBAM structures is proposed which helps to create modular sound synthesis and digital audio effects applications. The FBAM is shown to be a powerful and versatile sound synthesis principle, which has similarities to the established distortion synthesis methods, but which is also essentially different from them.

Keywords

  • Information Technology
  • Quantum Information
  • Amplitude Modulation
  • Synthesis Method
  • Modulation Signal

Publisher note

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Authors’ Affiliations

(1)
Department of Signal Processing and Acoustics, Aalto University School of Electrical Engineering, P.O. Box 13000, 00076 AALTO, Espoo, Finland
(2)
Sound and Digital Music Technology Group, National University of Ireland, Maynooth, Co., Kildare, Ireland

Copyright

© Jari Kleimola et al. 2011

This article is published under license to BioMed Central Ltd. This is an open access article distributed under the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original work is properly cited.

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